The displayed of objects and antiques are divided into three parts as follows;        1. Ramkhamhaeng National Museum building;        2. Lai Sue Thai Memorail building;        3. Outside the Museum building (outdoor museum)        The art objects and antiques displayed in Ramkhamhaeng National Museum would mostly be those of the Sukhothai style collected by the Department of Fine Arts renovative and restorative excavation of ancient remains in the area of the old town of Sukhothai since 1953 and part of them obtained from the areas of the neighboring ancient towns like the Town of Sisatchanalai, Kampaeng Phet, Phetchabun and Phichit, another part of them being those given by Phra Ratchaprasitthikhun, a former abbot of Ratchathani Temple and Chief Abbot Sukhothai Province and the People. The art objects and antiques displayed are inscription stones of the Sukhothai age, Sangkhalok crockery, Buddha Images of various styles, molded Buddha images obtained from the excavations of ancient remains, idols and ancient weapons.        At the initial stage display the general form was arranged by dividing the displays into the sculpture and miscellaneous groups and some changes were maded when additional art object and antiques were received from time to time.        In 1984, the government held celebration events of the 700th annivesary of Lai Sue Thai, the Thai letters of the alphabet, in both Bangkok and Sukhothai Province. So Ramkamhaeng National Museum improved the display of its art objects and antiques on this occasion with a style of display that mainly emphasized art objects and antiques at archaeological sources so as to inform which objects had been found from the ancient remains already surveyed and excavated, how they were related with one another, from which source they had received influence, which beliefs they were connected with, so as to provide visitors with an approach to studying and researching.        Lai Sue Thai Memorial building is a single-floor twin building. Its rooms are arranged with displays showing stories about the various aspects of the Town of Sukhothai from the times before the establishment of the Kingdom of Sukhothai up to the development of the Town of Sukhothai into a historical park. In addition to this, there are within the building rooms for meetings, seminars and special lectures; there are a tourist service section and a book and souvenir selling place. Display in the Ramkhamhaeng National Museum building. Display can be divided into major groups as follows:        1. Molding plaster sculptures about Buddhism obtained from Phra Phai Luang Temple and Mahadhatu Temple and human and deva figure sculptures: the general characters of Buddha image sculptures from Phra Phai Luang Temple would be as follows: the face is rather round, the eyebrow arched, the nose high, the lips small and thin, the chin knotted, the hair top - Knotted into a spiral, the blanket folded into of the 14th century, whereas the Buddha image sculptures from Mahadhatu Temple would have an oval-shaped face. As for the human or deva figure sculptures, those from Phar Phai Luang Temple would have a rather round face, but those from Mahadhatu Temple, an oval face.        2. The group of pre Sukhothai - art sculptures obtained from Ta Pha daeng Shrine, Phra Phai Luang Temple, Sisawai Temple, classified as lop Buri art, the estimated age being around the 13th century.        3. Sukhothai art of the 14th - 15th centuries: Sukhothai art began from the declaration by King Si Intharathit of the independence of the Capital of Sukhothai around A.D. 1237; they are regarded as being the most beautiful and most unique Thai art, the outstanding character of which is that the luster is a flame, the hair top - knotted into a spiral, the face ocal-shaped, the eyebrow arched, the nose bending (according to the style of great men), the lips a little smiling, the shoulder large, the waist small, wearing the robe obliquely, the robe hem long and hanging down to the belly, the end being a centipede-fan design. The Sukhothai age also preferred making Buddha image in four gestures, i.e. sitting, standing, reclining and walking.        4. U-Thaong art: there are both molding - plaster and bronze sculptures of veneration about Buddism, the estimated age being around the early part of the 15th century after the occupation of the Kingdom of Sukhothai by King Pha-ngua and its division into two parts, i.e. the upper part with phitsanulok as the center and the lower part with Kamphaengphet as the center in A.D. 1378. The general character of the Buddha images: the face being quadrangular-shaped the hair parting line thick, thhe hair top-knotted into a shape like the thorn of the jack fruit, the crown being cut - lemon fruit shaped, the luster being flame shaped.        5. Ayutthaya art; the general characters of the Buddha images diaplayed still had the influence of the SukhoThai art, the face being oval shaped, the hair parting line small, the hair top-knotted into a small spiral, the eyebrow arched, the eye looking low, the nose high, the lips thin, and in addition to this, in a later period the style of putting on a dress was preferred, the estimated age around the 15th - 18th centuries        6. Chinaware obtained from the renovative excavations of ancient remains in the Town of SukhoThai, found to belong to both the Yuan, Meng and Ching dynasties of China;        7. Sangkalok crockery: Those on display, found in SukhoThai province, have heir production sources as follows:             7.1 Sukhothai "Thuraing" furnaces, located in the area around the trenches of Phra Phai Luang Temple outside the old Town of Sukhothai on the northern side; the crockery from the "Thuriang" furnaces of this source is rather rough, both of the enameled and unenameled kind;             7.2 "Thuring" furnaces of playing, Sisatchanalai, preferred producing large pieces of vessels used for architectural decoration, e.g. dragon, decorative extension of the apex of the gable and giant;             7.3 "Thuring" furnaces of Koh Noi, Sisatchanalai produced both the enameled and unenameled types. For buring, the vessels would usually be placed on pipe supports and when finished would have a circle at the bottom to symbolize the furnaces.        8. Molded Buddha images; there are both earthern and lead molded Buddha images, obtained form Phra Phai Luang Temple Mahadhatu Temple, Pa Mamuang Temple, For example.